Rabu, 10 Februari 2016

© Legal View The Visit Online FREE

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The terrifying story of a brother and sister who are sent to their grandparents' remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

About The Visit

Artist : Kathryn Hahn, Deanna Dunagan, Peter McRobbie, Ed Oxenbould, Olivia DeJonge, Benjamin Kanes
As : Mom, Nana, Pop Pop, Tyler, Becca, Dad
Title : © Legal View The Visit Online FREE
Release date : 2015-09-11
Movie Code : 3567288
Duration : 94
Category : Mystery & Suspense, Horror

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Name : Richard Brody / Alias : New Yorker
For all its intelligence and craft, M. Night Shyamalan's foray into the genre of found-footage horror has the feeling of homework done well.

Name : Brad Wheeler / Alias : Globe and Mail
I hear Hollywood whispers. I feel something is amiss. I see dead directorial reputations. And I smell a comeback.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Much like Shyamalan's flawed/interesting films "Signs" and "The Village," the filmmaker promises more than he can deliver.

Name : Ben Sachs / Alias : Chicago Reader
[Shyamalan's] manipulation of tone is impressive - he gets you to laugh at the grandparents' strange behavior, only to shift gears into horror when you least expect it.

Name : James Berardinelli / Alias : ReelViews
Despite a promising premise and effective "Shyamalan twist", this low-budget horror film still underwhelms.

Name : Brian Truitt / Alias : USA Today
The low-budget thriller deftly mixes horror-movie moments, pure strangeness and comedy like a family-friendly David Lynch effort as it takes audiences on one really oddball trip to grandma's house.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While the production values are simple, the script is sneakily complex. Like the best horror merchants, Shyamalan exploits our secret fears - in this case, of old age, ill health and dementia.

Name : Geoff Berkshire / Alias : Variety
Even if there's less chance the audience will burst out in fits of inappropriate chuckles, as was often the case in, say, "The Happening" or "Lady in the Water," Shyamalan still can't quite pull off the delicate tonal balance he's after.

Name : Randy Myers / Alias : San Jose Mercury News
Frightfully fun, with Shyamalan relentless toying with us and cramming in horror genre references.

Name : David Edelstein / Alias : New York Magazine/Vulture
An unoriginal faux-doc horror picture that actually works like a demonic charm.

Name : Alan Scherstuhl / Alias : Village Voice
The best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.

Name : Rene Rodriguez / Alias : Miami Herald
Here is a movie in which old people are scary because they're senile and icky and incontinent and do baffling things. And they're, you know, so old and wrinkly.

Name : Colin Covert / Alias : Minneapolis Star Tribune
By remaining a smartly staged thriller rather than a formula shocker, it does quite well with precisely what it set out to do: play on all our fears like a Steinway grand piano.

Name : Richard Roeper / Alias : Chicago Sun-Times
Alas, it's a dopey, only mildly chilling, uneasy mix of horror and dark comedy, scoring few points in either category.

Name : Steven Rea / Alias : Philadelphia Inquirer
Isn't the whole handheld "real-video" thing kind of old by now? Isn't the Shyamalanian-twist thing kind of old by now, too?

Name : Randy Cordova / Alias : Arizona Republic
A scary fun-house ride that expertly blends jittery tension and laugh-out-loud humor, it will make you forgive the filmmaker for such major time-wasters as "Lady in the Water," "After Earth" and "The Happening."

Name : Manohla Dargis / Alias : New York Times
The director M. Night Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves.

Name : Bruce Demara / Alias : Toronto Star
M. Night Shyamalan's latest film may well have been his last chance at redemption. Fortunately, he rises to the challenge and makes The Visit good, scary fun.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Following a creative low period that found the director trying his hand at effects-driven fantasy and sci-fi, it can't help but come across as a comeback.

Name : Christopher Orr / Alias : The Atlantic
It is with some surprise-and perhaps even a hint of disappointment-that I must report that The Visit is merely mediocre and not the breathtaking calamity that we've come to anticipate from its author.

Name : Steve Tilley / Alias : Toronto Sun
Fortunately, The Visit has a lot of (intentional!) laughs between the creepy bits and jump scares, and never takes itself too seriously.

Name : Peter Travers / Alias : Rolling Stone
Not in the same league as The Sixth Sense, but Shyamalan ends a long dry spell with The Visit. No spoilers, except to say that cheap thrills can still be a blast.

Name : Tom Huddleston / Alias : Time Out
The result is a bizarre, conflicted mess, horrifying when it's trying to be funny, oddly appealing when it turns the screws.

Name : Moira MacDonald / Alias : Seattle Times
It's creepy, sure, but not very enjoyable, basement or no.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The Visit is lightweight and doesn't have the emotional resonance of The Sixth Sense, but it's a welcome return to form for a director who seemed doomed to a future of remembering better days.

Name : Peter Hall / Alias : New York Daily News
A messed-up fairy tale that often nails the sweet spot between scaring us and letting us laugh at how scared we are. It's crowd-pleasing horror, the kind that can push moviegoers to the edge of their seats and send them to the water cooler the next day.

Name : Michael O'Sullivan / Alias : Washington Post
An effective if flawed psychological thriller, a modest campfire story with a solid, genuinely startling twist that is likely to restore the faith of some of [Shyamalan's] critics.

Name : Wesley Morris / Alias : Grantland
It was fun watching this with a gasping and screaming audience. For horror-goers, the comparative competence must hit the spot. But there's nothing new here - and what I sensed for 94 minutes was compromise.

Name : Sara Stewart / Alias : New York Post
Dunagan and McRobbie have a blast in their respective roles, alternating between everyday grandparent oddities and behavior that wouldn't be out of place at the Overlook Hotel. And overall, the young duo makes an affable pair of narrators.

Name : James Rocchi / Alias : TheWrap
Startling but never terrifying, "The Visit" may make a little money, but it does not mark a return to long-lost greatness for Shyamalan. It's more of the same, presented on a smaller, cheaper canvas where you can see every flaw all the more clearly.

Name : Michael Sragow / Alias : Los Angeles Times
The honorable tradition of American moviemakers wringing laughs and gasps from bucolic lunatics dates back to "Murder, He Says" (1945). Unfortunately, "The Visit" isn't part of it.

Name : Clark Collis / Alias : Entertainment Weekly
Suffice to say that the result is an effective scare machine and a semi-return to form for its creator.

Name : Tom Long / Alias : Detroit News
There's undeniable fun in watching a couple of veteran actors get strange with two newcomers. "The Visit" may be worth one.

Name : Tom Russo / Alias : Boston Globe
A relentlessly tense journey into the bizarre, with jolts that linger and some nicely played melancholy. What's more, the movie is often surprisingly, wickedly funny .

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Sabtu, 30 Januari 2016

Independence Day: Resurgence Volledige Film In Czech Ondertitels

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We always knew they were coming back. After INDEPENDENCE DAY redefined the event movie genre, the next epic chapter delivers global catastrophe on an unimaginable scale. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens' advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction. (C) Fox

About Independence Day: Resurgence

Artist : Jeff Goldblum, Liam Hemsworth, Bill Pullman, Jessie Usher, Vivica A Fox
As : David Levinson, Jake Morrison, Thomas J Whitmore, Dylan Hiller, Jasmine
Title : Independence Day: Resurgence Volledige Film In Czech Ondertitels
Release date : 2016-06-24
Movie Code : 1628841
Duration : 110
Category : Action, Adventure, Sci-Fi

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Name : Michael Phillips / Alias : Chicago Tribune
From the metallic shell of the 1996 smash "Independence Day," director Roland Emmerich has pulled a seriously lousy sequel, dripping with alien goo and incoherence.

Name : Richard Roeper / Alias : Chicago Sun-Times
Well that was unnecessary.

Name : Leslie Felperin / Alias : Hollywood Reporter
The main thing consumers will be looking for from Resurgence is bang-for-buck entertainment, and that it delivers reasonably successfully.

Name : Jason Solomons / Alias : TheWrap
While it would be foolish to say Independence Day: Resurgence lacks spectacle, scene after scene of the stuff becomes repetitive due to its victimless violence. It feels like no one ever gets hurt, despite the destruction of half the planet.

Name : David Ansen / Alias : Newsweek
If I were a 10-year-old boy, I'd probably think it was the coolest movie going.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
It's the first futuristic disaster movie that's as cute as a button. Which, when all the special effects blow over, is what we Americans like in a monster hit.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Resurgence ends up falling victim to its attempts to differentiate itself while remaining completely derivative.

Name : Guy Lodge / Alias : Variety
"Independence Day: Resurgence" delivers swiftly and generously when it comes to the goods most viewers will have come for - the time-honored joys of blowing stuff up, in set pieces that escalate dizzyingly in size and context.

Name : Peter Howell / Alias : Toronto Star
The film is so cluttered with characters, exposition and space junk, thickly lacquered with 3D, it's like a party pinata waiting to burst open - but inside are rocks, not toys.

Name : Todd McCarthy / Alias : Variety
As unavoidably entertaining as it is hopelessly cornball.

Name : Kenneth Turan / Alias : Los Angeles Times
"IDR" moves right along at the rapid clip essential for a story whose general outline is known from the get-go. What actually happens on screen is less important than that it unfolds really, really fast.

Name : Molly Eichel / Alias : Philadelphia Inquirer
I remember sitting in the theater watching the first Independence Day as a kid, mouth agape at what the movies could do. I'm a little more cynical at this point.

Name : David Sims / Alias : The Atlantic
It's a non-movie, an insult to the blockbuster genre, and should stand only as a perfect example of Hollywood's more glaring deficiencies as an industry.

Name : James Berardinelli / Alias : ReelViews
The temptation is there to say that Independence Day: Resurgence tarnishes the image of its predecessor but the original Independence Day wasn't all that good to begin with.

Name : Carol Buckland / Alias : CNN.com
Splendidly cheesy entertainment.

Name : Brian Truitt / Alias : USA Today
Returning director Roland Emmerich's film checks all the appropriate boxes - wanton destruction, malevolent aliens, B-movie dialogue, rampant silliness - but the old charm just isn't there anymore.

Name : Stephen Whitty / Alias : Newark Star-Ledger
I didn't like "Independence Day: Resurgence." You probably won't either.

Name : Stephanie Zacharek / Alias : TIME Magazine
You can forgive Independence Day: Resurgence for being ridiculous - its predecessor was too. But you can't forgive it for being boring.

Name : Tom Huddleston / Alias : Time Out
An insanely OTT sequel to the already-ludicrous-enough alien invasion smash.

Name : Peter Travers / Alias : Rolling Stone
The only thing resurgent in this humorless alien mess is Hollywood's passion to charge us more and deliver less.

Name : Manohla Dargis / Alias : New York Times
The results are predictably predictable if rarely entertainingly risible, with swaths of exposition and dialogue that sounds like ads ("one people, one world").

Name : Liz Braun / Alias : Toronto Sun
Want to see things blow up good? Independence Day: Resurgence really delivers. However, if you like a bit of story to go with all those explosions - forget it.

Name : Rita Kempley / Alias : Washington Post
Maybe the moviemakers' mission was to boldly go where everyone in Hollywood has gone before: the bank.

Name : Brian Lowry / Alias : CNN.com
Moreover, the movie keeps announcing over and over exactly how much time is left before the world gets destroyed. In practical terms, that simply reminds the audience that this two-hour exercise feels like a pretty long sit, despite its frenetic pacing.

Name : Bill Goodykoontz / Alias : Arizona Republic
Look, this isn't supposed to be Serious Cinema. I get that. I also know that there is a cinematic place for over-the-top action. I also know that it doesn't have to be stupid, because I saw "Mad Max: Fury Road."

Name : Chris Nashawaty / Alias : Entertainment Weekly
Disposable and shockingly inept.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
By the time the big battle happens at the end, CGI has rendered the Earth bleak and unrecognizable; like it's not worth saving.

Name : Anthony Lane / Alias : New Yorker
The first "Independence Day" had the gratifying slap of good pop cinema, harmless and weightless; the follow-up is twice as big and half as fun.

Name : Christy Lemire / Alias : RogerEbert.com
It's just dull and hollow-a massive waste of time and money.

Name : Lindsey Bahr / Alias : Associated Press
The plot is a big jumble of story lines, nonsense science talk and lots of "in '96" references. Speaking of '96, there's nothing even remotely as thrilling or memorable as the first here.

Name : Jonathan Rosenbaum / Alias : Chicago Reader
The earnestness, the effects, and the notion of a whole world forgetting its differences to defeat a common foe carry a certain charm.

Name : Lou Lumenick / Alias : New York Post
The first "Independence Day'' was a lot of fun, with a great lines and cutting-edge special effects. It was much imitated, so the sequel plays like a faded, eighth-generation copy with a cast that's shooting blanks when it comes to humor.

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